[EN] Of Dragons, Feasts and Murders, by Aliette de Bodard

I have some broad knowledge of the Dominion of the Fallen setting, but the books still wait for me on my kindle. I thought “Of Dragons, Feasts and Murders” might be a good taster of the series. I don’t yet know whether it is, but I know I’m intrigued and want to read the whole series even more.


What strikes me most after a few days mulling over the book, is the mixture of tones. On one hand, there is a fair share of playfulness and humour in the setup of “a couple goes to visit the family of one of the spouses... except they’re an imperial dynasty”, as well as the dynamic between Thuan – a bookish dragon prince who abhors political games and left his family’s domain behind – and Asmodeus – a charming and murderous fallen angel (it's a bit like if “Hannibal” featured a non-abusive relationship and was a rom-com).

On the other hand, we have the backdrop of a struggling kingdom and topics of inequality, justice, political unease, oppression. While on their visit, Thuan and Asmodeus are thrown into a murder investigation that’s quickly revealed to have wider implications. In the course of the investigation, Thuan struggles with loyalty to his family and his desire to be left in piece, as well as some blind spots resulting from his privileged upbringing.

Those two aspects mesh together pretty well, although I was occasionally confused about how seriously I should take stuff like Asmodeus’ propensity for murder (in the end I think he’s far more discriminate and restrained than Thuan gives him credit for) or one character advocating executions as a way of restoring order (but the ethos of the book ultimately leans towards kindness, not despotic rule).

The style of the book is detailed but very clear and the plot strikes a great balance between the intrigue and personal scenes between Thuan and Asmodeus. I greatly enjoyed how much of the book was dialogue driven, with a lot of space devoted to the way things are phrased, what is said and unsaid, the characters trying to parse what the other party is communicating and untangle the complex webs of meaning. Because of that the book felt tense even though there wasn't a lot of action as such.

This is a short and entertaining read, a hybrid of crime story and romance (in typical romance fashion Thuan and Asmodeus experience some conflict and while their marriage is never really threatened, both of them seem to grow a little by the end and learn to appreciate the other’s perspective on the situation) with some pleasantly weighty socio-political considerations. I am eager to dive into the main series.

Note: I received an electronic copy of this book via NetGalley in exchange for an honest review.

[EN] By Force Alone, by Lavie Tidhar

Power and ideology

I approached By Force Alone with both excitement and trepidation. I enjoy seeing new takes on Arthuriana and the time after the Romans withdrew from Britain is a fascinating period. At the same time, I tend to be wary of cynical and brutal stories because they run a risk of devolving into an exercise in empty misery that masquerades as profoundness.

Overall, I'm happy to say that my worries were unfounded. Don't get me wrong: it's a pretty bleak story. It's just that the bleakness has a purpose and isn't all there is to the book.

I've seen Tidhar describe the book asessentially King Arthur for the Brexit era and you can see that in the book's preoccupation with myth-making, with the way people and events get turned into stories – and the fact that the stories are tools made by someone for a specific purpose (and not a good one, of course) – as well as in its focus on the tensions between the various groups that dwell or arrive in Britain.

It's also a book that doesn't fall for romanticism of conquests, warriors, kings, the glamour of fighting and fucking. In fact I'd say it's completely disillusioned with power, and absolutely clear about how base the drive for power is, how utterly miserable it makes the world.

But it's not just shit and mud and misery. By Force Alone is in a way a reversion of the Clive Owen King Arthur movie. Where the latter was gritty 'realism' masking a typical Hollywood yarn that sands off all the edges (including Lancelot dying so that Guinevere can't cheat on Arthur), the former is historical materialism coated in a mish-mash of absolutely buck wild ideas. Some of them are deep cuts from Arthurian legends (such as Cath Palug, a ghost mer-cat), some are taken from folklore (like the Fae) – and then there are elements from other genres that Tidhar mixes in (Lancelot knows kung fu in this one, and where Tidhar ultimately goes with the Grail is best left unspoiled, although earlier parts might remind readers of Jeff Vandermeer's Reach Trilogy).

Those elements disrupt the bleakness and make the book very entertaining. And while everyone is a murderous asshole to an extent because everyone is willing to go along with Arthur in order to climb the ladder, there are characters who also exhibit sympathetic traits. Arthur himself seems most consumed by the lust for power and it's interesting that the reader always sees him at a remove. But there is Gawain who's dragged into stuff against his will; Lancelot who's torn between desire for riches and more elusive pursuits and who's increasingly Done With Shit; sir Pellinore chasing after his Questing Beast; and possibly the coolest Guinevere I have ever encountered. It was also really cool to see some gay and lesbian characters, as all too often fantasy books that pretend to a degree of historical realism mistakenly assume queer people did not exist in the past.

The book is long, but moves at a brisk pace, jumping in time, switching perspectives, never overstaying its welcome. It occasionally can feel a little disjointed and certain characters seem to just drop out of the narrative (I would have loved more Guinevere); but the novel feels very purposeful in how it stays very little in Camelot once it's established. The characters can't really enjoy the wealth and splendour they chased after – nearly as soon as they've 'made it' a rot sets in and the time comes for a doomed fight against another young upstart who wants a shot at the crown. I also really enjoyed the prose style: it's concise and not too ornate, but has a slightly elevated register that brings to mind epic poetry.

By Force Alone is a very cool revisionist take on Arthurian legends, one that seems to come from a similar place to Kieron Gillen and Dan Mora's Once & Future. It skillfully mixes a bleakness of outlook with some pleasantly bizarre ideas and a touch of humour in a very enjoyable way.

Note: I received an electronic review copy from the publisher in exchange for an honest review.